schmevil: (drugs)
2010-01-28 03:54 pm
Entry tags:

Watched (part of) Watchmen

Hormonal today. I thought I'd offset it by watching a movie.

My first try was PS I Love You, which it turns out starts with a death, and features James Marsters trying to be a Serious Actor, and Hilary Swank trying to be Cute. Pass.

My second try was Watchmen. It was going swimmingly, until the rape scene. Pass.

After that I gave up and finally watched Under The Hood. I declined to buy the Watchmen dvd because the movie honestly didn't do anything for me), so this was my first time watching it. It was well done overall, and they did a good job with Hollis' sincerity, and Sally's too-mannered schmaltz. The best part is the vintage Seiko commercial. A++.

When I first saw Watchmen, I was struck by how obvious all of the soundtrack choices were. I stand by my distaste, but I have a new appreciation for the intensely 80s score. It sounds like they cribbed it off of those awful milquetoast-noir cop movies that were churned out by the dozen back then. And it's kind of awesome for that very reason. So bad it's bad, but deliciously, knowingly so. :D


Anyway, tell me something cool that's happened to you lately. Link to what's putting a smile on your face. I require lolcats, cupcakes and candy-coloured war-ponies (ie. cheering up).
schmevil: (men (scared of pussy))
2009-04-29 05:41 pm
Entry tags:

Alan Moore reads from Rorschach's journal

Sorry for spamming, but this was in need of posting. For those of you who haven't already heard this - ALAN MOORE IS SCARY! and also kind of awesome. Read more... )
schmevil: (gwen and mj dance)
2009-03-26 01:46 am
Entry tags:

Watchmen soundtrack

I was complaining about the Watchmen soundtrack. Here's what it looks like:

1. Desolation Row - My Chemical Romance
2. Unforgettable - Nat King Cole
3. Times They Are A-Changin' - Bob Dylan
4. Sound of Silence - Simon & Garfunkel
5. Me and Bobby McGee - Janis Joplin
6. I'm Your Boogie Man - KC & the Sunshine Band
7. You're My Thrill - Billie Holiday
8. Pruit Igoe & Prophecies - Philip Glass Ensemble
9. Hallelujah - Leonard Cohen
10. All Along the Watchtower - Jimi Hendrix
11. Ride of the Valkyries - Budapest Symphony Orchestra
12. Pirate Jenny [Live] - Nina Simone

I suppose this is a case of ymmv but to my ears, the soundtrack is like a blow from the balpeen hammer of pop cultural reference, and so hard a blow that stuns, thereby ceasing to have meaning. Breaking out the Simon and Garfunkel (particularly when he did) is like standing at the top of the stairs and yelling THIS IS IMPORTANT! Not only does Watchmen not require that kind of musical support, the musical choices call attention to themselves.

Anyway, I'm too tired to elaborate on this. Cut. Print. I'm about halfway through Kroker and Weinstein's Data Trash and I need to lead a seminar on it in 9 hours. So I'm obvs fried. Best line so far: "What could be more fun than death camps?" Oh Kroker.
schmevil: (gwen and mj dance)
2009-01-27 04:28 pm

(no subject)

This video by Fever Ray is really quite arresting. The song is a moody, atmospheric kind of thing and lovely, but the video is layered with interesting images. I'd love to read someone's unpacking of what's going on there.

NBS Nightly News with Ted Philips, March 11th 1970 is a viral marketing vid for The Watchmen. It's a retrospective on ten years of Dr. Manhattan, which is a brilliant idea and true to the spirit of the book - Dr. Manhattan is a total game-changer, far more so than the bomb was in our world; a fusion of nuclear power and the existence Superman.



I spent a couple of hours today, catching up on my blog reading list, and Art MOCO introduced me to Joey Remmers whose work is damn cool. I love the shadows on the water in this one.

Also Monaux who's doing a lot of tattoo inspired work that I'd be tempted to at least wear on a tee, if not my skin. ETA: Love the Tarantino!

schmevil: (lana)
2008-10-23 11:12 pm
Entry tags:

(no subject)

You know what I'm really not looking forward to? Watchmen Movieverse fandom. Rorschach slash. Ozymandias slash. Comedian/Sally fic. YOU KNOW IT'S COMING. I'll be hiding in the library.
schmevil: (dilbert (pirate))
2008-10-22 06:28 pm

A vision of my future family life:

If I ever have children, they will no doubt hail from the land of The Nietzsche Family Circus. I've had a NFC comic in my profile for a while now, but while randomly refreshing it today (in order to distract myself from the soul-crushing subject of getting the nationalism out of international relations), I found this one. So very the future children of the House of Schmeve. Note the fast talking middle child. The over-bearing older children. The youngest, who seems to be intimidated by them. Seems. And most importantly, the stone-face mother, who sees through them all, and is proud, so proud of her little monsters. Even when they break her favourite freaking vase, dammit. She's not seething with barely suppressed rage. Not at all.


In heaven, all the interesting people are missing.


Go here for spoilery news about The Watchmen film that made me go WHUT. I can't spare the energy for a post on the subject (MUST FINISH ESSAYS), but [livejournal.com profile] kali921 brings the boggle.

I actually have lots of fabulously interesting things to say about this and many other topics, but am currently to busy. Yes, that's right. Too busy to blog. Let this NFC comic stand as a placeholder for my brain. In heaven, all the interesting people are missing.




One final note: I am currently eating Halloween candy. Nom.
schmevil: (daily planet)
2008-08-20 11:00 am

(no subject)

Legal battle over Watchmen movie
Film studio Twentieth Century Fox has applied to a Los Angeles court to block the release of Watchmen, based on the comic books written by Alan Moore. [...] Fox spokesman Gregg Brilliant said it planned to stop the release of the movie and "any related Watchmen media that violate our copyright interests in that property".

BBC News
August 19, 2008


Gorram. Everbody wants to get paid.

***

Randomly - Did you know that Rosanne has a blog? It doesn't suck - I don't agree with everything she says, but she totally owns her opinions. **ETA** She is so on drugs and it's fascinating.

And randomly the second - I'm heading to my LCS today or tomorrow to pick up Jonathan Hickman's Network News, and Tori Amos' Comic Book Tattoo. Anyone have some more recs for me?

***

Now for the meat of this entry:

Cory Doctorow talks about the OTW, comparing it to the Comic Book Legal Defense Fund. OTW is really getting a lot of press for a fan org.

The other thing is that the CBLDF is, itself, a kind of model for the kind of organizations that other people who are involved in other dangerous cultural acts are turning to. For example, Naomi Novik, she won the Campbell Award last year for best new science fiction writer. She comes out of the fanfic culture of people who make stories out of other people’s universes—this is something that’s pretty common in comics, and obviously, the shared universe is a real common piece of comic storytelling, in the way that comics have always taken place. And even where you have unauthorized, thinly-veiled shared universes—you have things like The Watchmen and so on. So Naomi and her friends, they want to defend the rights of people who are involved in fanfiction, because this is as old as culture, the retelling of stories to suit your own needs.

She said she wanted to make a CBLDF for fanfiction, and that just conveyed so much in just a little phrase. So what the CBLDF has actually done is provided us with a useful vocabulary for describing a certain kind of advocacy organization that’s small, incredibly nimble and intelligent in the way it conducts itself, committed to an important cause, and really fueled by creators and the work they do. So I think for that reason as well, I’m really game for doing stuff for the group.

Cory makes a case for fanfiction being a similar kind of artistic endeavor to writing in shared universes like comics (or if you extend it further television, particularly franchises) - the primary differences, as he sees it are:

1. Experience. Not talent - experience. He doesn't distinguish between pro/fan writers in terms of capability, but he does say that on average, pro writers tend to be more skilled.

Pro writers also operate within an immense infrastructure of editors, publishers and promoters, where they learn to write what sells, or they don't get to be pro writers anymore. I mean, of course there are some incredibly skilled fan writers, but there are also bajillions of us for whom fandom is our first experience with creative writing. And there are lots of us who are more interested in telling our stories, than in developing our skills. Pro writers don't have that option.

What I really like about this point is that Doctorow is committing the fallacy of talent=success, or that success=talent. And that therefore, lack of success=lack of talent.

2. Community. Internet fic, as he points out, is a very public activity. Much more public and interactive than say, writing Action Comics, where the fans only see selected previews and the final product.

Even old school zine fic encouraged much more back and forth between writers and readers, writers and writers, and readers and readers, all on a (more of less) level playing field, than pro writers are likely to experience. My anecdotal evidence suggests that fic is increasingly being treated as a communal experience, especially on eljay where there's very little demarcation between blog-space and story-space (ie fic happens in comments, sometimes even to blog-style entries). So you get tiny ficlets in response to other peoples ficlets, all part of a story-conversation that happens much faster than would be possible in pro writing circles. It's also a conversation in which the more and less skilled can equally participate.. Contributions won't be valued equally, but we technically have equal opportunity to chime in with our say.

3. Subject matter. Doctorow points out that a lot of fic is fundamentally concerned with three things: sex, politics and sexual politics. This is part of why copyright and trademark owners get nervous about fic - it strays into territory which might, if they were to go there themselves, negatively impact marketability.

This is an interesting one. The sex part is easy (fanfic is for porn!), politics less so. Is a fifteen year old Harry/Ginny shipper really engaging in political activity/making a political statement? Well, yes. It's kind of hard to get away from politics. *g*

There's the politics of the medium, the politics of the activity and the politics of the messge. We don't all write fic with the intention of doing politics or making the same kind of statement, but even the most innocuous fic is political.
schmevil: (lana)
2008-08-15 10:17 am

(no subject)

Since the release of the theatrical trailer Watchmen has sold 900,000 copies! In comments on The Beat Torsten Adair says:

I think what is driving this is that non-comicbook people saw Dark Knight with their comicbook-reading friends, saw an incredible trailer, and asked their friends, “What is that all about?” And their friends replied, “That’s the greatest graphic novel ever written, and you have to read it.”

Watchmen is currently #36 on BN.com, the lowest since the trailer hit. From now until April, retailers everywhere have to bring their A Game everyday. People are going to read Watchmen, then read it again to see how the pieces fit together, then they are going to come back and say, “Okay, I’ve read a great graphic novel. What other great stuff do you have that I don’t know about?” That’s when the retailer asks, “What do you like to read?” and then goes to the shelves and starts hand selling.


Pretty much agree - on its own I don't find The Watchmen trailer all that impressive, but pairing it with The Dark Knight was the perfect marketing move. The target audience for The Watchmen is much the same as for TDK (as distinct from say, Iron Man).

I so need to reread.

***

This morning I was introduced to Xavier Nuez via MoCo Loco. Here's how they describe his work:

While conventional wisdom tells us to keep away from dark alleys, photographer Xavier Nuez goes looking for trouble, or at the very least, signs of it. Being accosted by addicts and dealers, chased by gangs and questioned by police is all part of a night’s work. Nuez is inspired by inner-city ruins, dead ends, back lots and uninviting urban corners, partially due to a family history of homelessness and the fear that he too would succumb. To counteract this past, the artist creates monuments of the gutters, working with Hasselblad film cameras and shooting with lights and gels, and very long exposures.

His site has some seriously gorgeous photos of graffiti art, construction sites and 'ruined' urban landscapes. Incredibly lush colours and fantastic lines.

See also Buff Monster, who started doing guerrilla, silk-screen poster art, and now does vinyl figures and other cook stuff.

two images )

And NASA's image of the day an Arctic eclipse. v. v. cool.
schmevil: (ms. marvel (smash))
2008-07-24 01:22 pm

(no subject)

The Watchmen trailer? Mostly awesome. I say mostly because that was one horrifyingly bad choice of music. Billy Corrigan's wailing gives entirely the wrong impression to the uninitiated. My brother's girlfriend immediately dismissed the movie as being, quote 'emo'. You heard it here first - The Watchmen is emo.

In other Watchmen news, /film has some interior shots of Dan Dreiberg's Owlship up, which is currently on show at Comic Con. Love the detail.

I'm excited for this movie, but the excitement is consistently mixed with dread. After all, it is coming from the 'visionary' director of 300, a movie I hated with the passion of a thousand fiery suns. Seriously. I know 300 is a sacred fan object but dear freaking god did I hate every last excruciating second of that dreck. Especially the visuals. Sloppy fight choreography, lazy over-reliance on slo-mo, bullet time and of-the-now oversaturation, there was nothing about that I hadn't seen before, and done better at that.

Basically 300 is the movie version of a Limp Bizkit song - hillbilly stupid but pop enough to go down easy. You know you should hate it, for reasons of gross historical inaccuracy, racism, sexism, fascism and other assorted nasty isms, but it's so darn catchy and au courant that you find yourself singing along. Of course, a few years later you wake up and WTF at yourself - Delphic Oracle titty shot? Seriously? Of course, a few years after that it becomes a 'classic'.

***

Have you seen the seen the October solicit for Ms. Marvel? OMG. I've been waiting for something like this. Actually I've been waiting for two somethings like this: 1) a cover that doesn't make me ashamed to bring it up to the counter; 2) a story about Carol's early years. Love the cover.

Brian Reed is doing an ok job with this book but it's past time for more of Carol's history to be incorporated into the new stories. A lot of the newer readers, coming in from House of M, Civil War or Secret Invasion, are completely unaware of her backstory, which sucks because despite the cracksanity of some of it (largely the superhero portion), the rest of it is great. Especially for a comic book heroine. Carol's early days aren't edgey - they're awesome in a more ordinary way and imho, in a way that continues to be highly relatable without being anst-ridden. (Unlike the later downward spiral into magical pregnancies and forced-mutation).

Carol may have gotten her superpowers from an accident with some weird, alien technology, but before all of that she was a Real American Hero. And not in the sickeningly blind way - Carol was a good soldier, but she was also a soldier who questioned the status quo. A decorated Air Force officer, both a talented pilot and highly trained field operative, Carol worked with Ben Grimm and Logan, went on secret missions for the CIA and after reaching her best before as a field agent, she became head of security for NASA. She's like a Stargate character who got powered up by the Ancients, but rather than lose her fantastic abilities by the end of the episode, she put on spandex and got more and more powerful. (Carol could so be John's sister).

Now, all of this sounds pretty fantastic in of itself, right? But the key for me, the thing that sells it for me, is that Carol got all of this through her own hard work. Nothing fated, no interventions from on high - she joined the Air Force to pay her way through college and worked her butt off until she was a damn good officer. She didn't start out great - she worked until she became great. She also faced significant obstacles along the way. Her sexist father refused to see why a girl would want to join the military, or even go to college, for that matter. A construction foreman, he could afford to send only one of his kids to college and he chose his eldest son. (It's nice to see a character who's not from the streets OR from the middle class - where have all the working class characters gone?) Like any woman in the military, she had to work twice as hard as her male colleagues, and even after becoming a decorated officer, her superiors doubted her abilities. By the time she's head of security at NASA (in Captain Marvel) she still hasn't convinced the brass that a woman can really handle that kind of authority without: a) going a little off; b) being less of a woman.

She ends up having to leave NASA because the situation is untenable (of course, the whole 'I met aliens' thing was also a factor) and what does she do in her civilian career? She starts writing about her experiences, and about those of other women in similarly high-stress occupations, and then later more broadly about Women's Issues. How do you not love it?

[livejournal.com profile] aulayan raised a red flag over bringing back more of Carol's history, on the grounds that it's just too confusing and inconsistent (ie that she's a soldier AND a writer). So I fanwanked it. Quoting myself:

The best thing to do at this point, is to have a story where child Carol wants to have adventures, but because her father (who is canonically sexist), says that adventures are for boys, she decides to write her own. Then, when an older Carol joins the Air Force to pay her way through college, it's to pursue an English/Journalism degree. Once in the Air Force though, she finds that she's actually a really, really good pilot and goes out and has real adventures of her own.

Needs to be canon - y/y?