schmevil: (gwen and mj dance)
Woke up one morning...


'organic highway' by mikael hansen 1995


Muddy Waters - Mannish Boy

Howlin Wolf - Smokestack Lightning

Jesse Mae Hemphill - Standing In My Doorway Crying

Big Mama Thornton - Hound Dog

John Lee Hooker - Boom Boom

Blind Lemon Jefferson - That Black Snake Moan


when you ain't got no money, you got the blues



* Any issues with the tracks, do let me know. This was quick work.
schmevil: (the wasp (giant))
Two pieces from Candy Girls, by Yoshitaka Amano.


You can find more from the collection (along with work from other artists) at lebasseprojects.com.


Candy Girls S23



Candy Girls Mk.II-1

schmevil: (graffitti)
You've probably figured out by now that I like weird art. Well, here, have some more. :)



These are mixed media sculptures made from stuff, all of it synthetic, and all of it stripped of context. Can you identify any of the component parts here?




Sofi Zezmur mikeweissgallery.com
schmevil: (graffitti)
Image Hosted by ImageShack.us

The Day the Frogs Rain Down, by David Stoupakis.

Check out his site for more imaginative, goth-y art.
schmevil: (jubilee)
Image Hosted by ImageShack.us
Temptation, by Andrea Arroyo


***


We know this much
Death is an evil;
we have the gods'
word for it; they too
would die if death
were a good thing

Sappho
schmevil: (jean)


Someone needs to go on an iconing spree through Stina Persson's gallery of watercolours.


***

Although they are
only breath, words
which I command
are immortal

Sappho
schmevil: (lana)
Download a free PDF of Sean Williams' The Crooked Letter.

The Crooked Letter_ is kinda urban New Weird on a massive scale. It's been compared to China Mieville, Philip Pullman, Ursula K Le Guin, Stephen King, Neil Gaiman, Michael Moorcock, yada yada, and it won both the Aurealis and Ditmar Awards the year it was released (the first fantasy novel in the history of the awards do so). It's also my attempt to take all the world's religions and wrap them up in a crazy Darwinian package that even a hardcore atheist like me might be tempted to buy.

I'm particularly excited about this because I've been wanting to release my novels on the web for as long as the web has existed, and this is the first time one of my publishers has agreed to do it. If it does well, maybe others will follow. Huzzah!

via [livejournal.com profile] ladnews aka Sean Williams.

***



Illustrator Sarah Carter Jenkins has some beautiful pieces online at her site.

via Cool Hunting
schmevil: (gwen and mj dance)
This video by Fever Ray is really quite arresting. The song is a moody, atmospheric kind of thing and lovely, but the video is layered with interesting images. I'd love to read someone's unpacking of what's going on there.

NBS Nightly News with Ted Philips, March 11th 1970 is a viral marketing vid for The Watchmen. It's a retrospective on ten years of Dr. Manhattan, which is a brilliant idea and true to the spirit of the book - Dr. Manhattan is a total game-changer, far more so than the bomb was in our world; a fusion of nuclear power and the existence Superman.



I spent a couple of hours today, catching up on my blog reading list, and Art MOCO introduced me to Joey Remmers whose work is damn cool. I love the shadows on the water in this one.

Also Monaux who's doing a lot of tattoo inspired work that I'd be tempted to at least wear on a tee, if not my skin. ETA: Love the Tarantino!

schmevil: (zatana)
Under the cut is a page from "The Long Tomorrow," written by Dan O'Bannon and illustrated by Jean Giraud, AKA Moebius, a story famously credited as inspiring Blade Runner's cityscapes.

Read more... )

I'd love to read this, but unfortunately, my library doesn't have a copy. I have this horrible feeling that this itch will lead to me buying a bunch of old Heavy Metal issues.

Here's an interesting poster I found, while hunting for "The Long Tomorrow". Tetsuo (from Akira), by Moebius

Read more... )

What got me hunting in the first place, was part of a mini-doc on Moebius that I watched during my first cup of coffee. I caught the bits about his time with an odd collective (with shades of cultlike characteristics to it), and his work on Alien. I'm crazy about the Alien series, though I don't think I've ever talked about said craziness here. (A couple of years ago I read a long and involving feminist rereading of the whole series, that I'm forever trying to track down. There are more than a few of them, so it gets complicated).

Anyway, today's tidbit of art, besides the above Moebius, is Necronom IV by HR Giger. This painting was the beginning of the Alien; it's what got him a job as a conceptual artist and designer for the film. It's easy to see how we got to the Alien queen and the facehuggers from here.

Nifty stuff

Dec. 8th, 2008 09:17 pm
schmevil: (Default)
That cold I fought off? I didn't fight it off. I now have the voice of a pubescent seal. Tomorrow is my day off, and I'll be wallowing in sickitude; burrowing into foot-deep layers of blankets and mainlining lemon tea. Lots of interesting things happened today, but for now, I'll confine myself to three nifty things I found online.

But first, I have a request. There are some awesome icon-makers on my flist. Would any of you be willing to make me a custom icon, for to-be-revealed purposes?

Nifty stuff:

1. Check out this mini-doc on the narrative structure of comic books via [livejournal.com profile] otw_news.

2.

Drawn & Quarterly has a pdf preview of Lynda Barry's multimedia comic "What Is it?" about getting creative. Their blurb:

What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or remember. Bursting with full-color drawings, comics, and collages, autobiographical sections and gentle creative guidance, each page is an invigorating example of exactly what it is: "The ordinary is extraordinary." Lynda Barry explores the depths of the inner and outer realms of creation and imagination, where play can be serious, monsters have purpose, and not knowing is an answer unto itself.

How do objects summon memories? What do real images feel like? These types of questions permeate the pages of What It Is, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. Her insight and sincerity will tackle the most persistent of inhibitions, calling back every kid who quit drawing to again feel alive at the experiential level.

3.

And finally, check out the beautiful illustration work of Kate Slater.
schmevil: (ron)
Some minor personal triumphs I have the pleasure of reporting: I crawled out of my sickbed to jog on the treadmill, took a needle to a vexatious splinter in my thumb, and fit into my old skinny jeans. Victory is mine. \o/

In other news, the Governor General of Canada has, as predicted, prorogued Parliament. This sets a bad precedent for future governments to try to dodge confidence votes through prorogation, but had she chosen not to suspend Parliament, that would have set another bad precedent. Either way, Michaelle Jean didn't have a lot of options, and she picked the safe one: heeding the advice of the sitting Prime Minister.

So now we're plunged back into something like election mode, with all the party propaganda machines plowing full steam ahead, straight into our living rooms. Hoping to win our hearts and minds, but likely to annoy a good number of Canadians. How this plays out is very much up to the feckless Liberal party, who've spent the last two decades tearing each other to shreds. Even now, when their full support for the coalition (at least in public) is crucial, some members broke ranks, suggesting the coalition won't survive the break. The Ignatieff camp has voiced concerns that being part of the coalition cabinet could crush his treasured dreams of leadership. Truly the Liberals have reached new absurd depths of self-destructiveness.

Stephane Dion is not a compelling leader, it's true, but he's only an interim leader. So in the meantime people, you have no excuse - pull it together and win this one!

***

I haven't posted about art in... a long time. Here are 'Yellow Cosmos' and 'Growing From the Cracks', by Julian Messer. Art MoCo says that:

Lesser works from his imagination to recreate gardens, maps and journeys, using colour as a vehicle for thoughts and emotions. Lesser's expression results in paintings that explode with movement, pattern and flowers, of course. The artist often works with a combination of acrylic, ink and resin on paper mounted on pine.



I don't know about you guys, but I think they're gorgeous.
schmevil: (lana)
Since the release of the theatrical trailer Watchmen has sold 900,000 copies! In comments on The Beat Torsten Adair says:

I think what is driving this is that non-comicbook people saw Dark Knight with their comicbook-reading friends, saw an incredible trailer, and asked their friends, “What is that all about?” And their friends replied, “That’s the greatest graphic novel ever written, and you have to read it.”

Watchmen is currently #36 on BN.com, the lowest since the trailer hit. From now until April, retailers everywhere have to bring their A Game everyday. People are going to read Watchmen, then read it again to see how the pieces fit together, then they are going to come back and say, “Okay, I’ve read a great graphic novel. What other great stuff do you have that I don’t know about?” That’s when the retailer asks, “What do you like to read?” and then goes to the shelves and starts hand selling.


Pretty much agree - on its own I don't find The Watchmen trailer all that impressive, but pairing it with The Dark Knight was the perfect marketing move. The target audience for The Watchmen is much the same as for TDK (as distinct from say, Iron Man).

I so need to reread.

***

This morning I was introduced to Xavier Nuez via MoCo Loco. Here's how they describe his work:

While conventional wisdom tells us to keep away from dark alleys, photographer Xavier Nuez goes looking for trouble, or at the very least, signs of it. Being accosted by addicts and dealers, chased by gangs and questioned by police is all part of a night’s work. Nuez is inspired by inner-city ruins, dead ends, back lots and uninviting urban corners, partially due to a family history of homelessness and the fear that he too would succumb. To counteract this past, the artist creates monuments of the gutters, working with Hasselblad film cameras and shooting with lights and gels, and very long exposures.

His site has some seriously gorgeous photos of graffiti art, construction sites and 'ruined' urban landscapes. Incredibly lush colours and fantastic lines.

See also Buff Monster, who started doing guerrilla, silk-screen poster art, and now does vinyl figures and other cook stuff.

two images )

And NASA's image of the day an Arctic eclipse. v. v. cool.
schmevil: (penance)
My daily WTF: Get super-kawaii eyes with these new contacts.



Why is it WTF? Not because someone invented contacts which enlarge the iris and not because someone wants to use them - purely cosmetic body mods don't really freak me out. The comments in that link, though? Pure WTF. Holy shit, people looking less than 100% 'normal' and 'natural'!? Blasphemy.

Oh, and this - body as landscape. No preview image for you, because I'm at work and can't resize the image to anything reasonable.
schmevil: (storm)
Only a couple more days to participate in International Blog Against Racism Week. Check out [livejournal.com profile] ibarw for collected links from the week.

***

CBC has a story on Chan Hyo Bae's series of photos of himself as an English queen.

Born in Busan, South Korea, photographer Chan-Hyo Bae moved to London, England in 2004 to attend the Slade School of Fine Art. He found himself closed off from his adopted country — not just by language, but by customs and rituals he didn’t know or understand. Touring the city’s many museums, he saw endless portraits of the English aristocracy, the creators of the very social structures he found so impenetrable. So, Bae decided to see what it would feel like to be them. The result is Existing in Costume, an exhibition running to July 5 at Toronto’s Gallery 44.

I love the title of exhibit.

In each photo Bae is cosutmed in the regalia of English royalty from various eras. He leaves his hands unpainted, while his often heavily made up face and elaborate costumes successfully immitate (and interrogate) English portraiture. In most of the photos he can't pass as white, but he can pass, I think, as a bio-female. While otherwise fully costumed, he carries or wears something meaninguful to his own heritage in all of the 15 photos - in one it is a wooden birdcage, in another it's a fan. As with his unpainted hands, it's at once a visual representation of how people of colour resist colonization, and how the other is appropriated. My favourite is the image of him carrying a Korean fan.

An excellent visual commentary on colonialism, cultural appropriation and multicultural assimilation.

Bae chose to dress like an English queen, not an English king, in part because of the stereotypes he encountered in his adopted country. Even in 2008, he feels that Asian men are seen as “weak” or less masculine in Western society, a prejudice left over from the colonial days and Orientalism. This photo of Bae, in a demure skirt suit that might be sported by a modern queen, speaks to racist, sexist and classist restraints.

I think it's interesting that he chose to associate 'weak,' Asian masculinity with English, female power, which is itself underwritten by patriarchal power, and exists narrowly, to uphold that patriarchal system. Is he saying that Asian masculinity has historically been appropriated for the perpetuation of masculinist Western power? *pokes flist*

***

Facebook, Coca Cola, and Medical Aid in Africa
Incensed by the irony that remote African communities had limitless access to bottles of Coca-Cola, but no infrastructure to get medicines to sick children, innovator Simon Berry decided to speak up and ask Coca-Cola to dedicate a fraction of its distribution network to carry medicines for simple, widespread and life-threatening ailments like diarrhea.
World Changing
August 6, 2008


Cool idea, irritatingly comic SCIENCE!d in this month's Invincible Iron Man. Unsurprisingly, the real world version makes more sense. *g*

What's great about this story is that Coca Cola is actually considering it. Much of the best networks and infrastucture are privately owned and imho in order to achieve the green shift, and anything approaching an ethical distribution of wealth (and health), we're going to have to start tapping those private resources. Not just the networks, but all the skills they've developed.

I'm not a huge fan of private-public partnerships because government and business everywhere already spend too much time in bed together, and all too often these partnerships magnify the evils of both groups. NGO-private partnerships, so long as they're transparent, I'm all for. I think there are a lot of opportunities for very liberal NGOs to work with business, while less ideologically compatible ones keep doing what they do best - resist.

Still, when it comes to aid I'm always leery of new 'solutions' unless they involve substantial contributions in terms of planning and labour from the people they're supposed to help. Hence the success of micro-credit, which is all about helping people help themselves, how they want to be helped.

***

Anyway, I haven't had coffee yet, so I'm going to go do that now. *pokes brain*
schmevil: (daily planet)
This month's Walrus (not yet available online) had a short article and cartoon by Seth about the production of cartoons. Read more... )

Seth says: "There is something very lovely about the stillness of a comic book page. That austere stacked grid of boxes. The little people trapped in time. Its frozen and silent nature acting almost as a counterpoint to the raucous vulgarity of the modern aesthetic. Of course, the drawings aren't really frozen. When we look at them, we immediately invest them with life. That little ink world pops into life as our eyes move across the drawings. I actually find it very difficult to look at a cartoon and hold on to the stillness. The essence of the cartoon language carries a kind of animation with it. This is true even with a single drawing, but it is especially evident when one panel is placed next to another. That juxtaposition creates a tension that implies motion and time. This illusion is one of the medium's primary bag of tricks."

As a bonus, here's a slideshow of and commentary on some of his other work.

There's Will Eisner's Comics & Sequential Art, and Scott McCloud's Understanding Comics, of course, but what other comics about comics are you fond of? I've got The Face of the Artist, by Eddie Campbell (a somewhat different species of fish than the above) on my wish list. And among other things, Alison Bechdel's Fun Home examines the whys and wherefores of cartooning and comics - is it art? (YES!) Read more... )

And as an extra special bonus, a comic about Fair Use: Bound by Law? Read more... )
schmevil: (daily planet)


1. Find more Carlos Ramos at The Corey Helford Gallery along with other great stuff, including robot boxing.

2. Paper and cardboard miniature. Photographed. Find more from Jasper de Beijer at Fette-Gallery.

3. Mixed media. Find more Amy Rice at Blue Bottle Art.

***

Artic Ice: Going, Going, Gone
There's a 50-50 chance that the North Pole will be ice-free this summer, which would be a first in recorded history, a leading ice scientist says. The weather and ocean conditions in the next couple of weeks will determine how much of the sea ice will melt, and early signs are not good, said Mark Serreze. He's a senior researcher at the National Snow and Ice Data Center and the University of Colorado in Boulder, Colo. The chances for a total meltdown at the pole are higher than ever because the layer of ice coating the sea is thinner than ever, he said. "A large area at the North Pole and surrounding the North Pole is first-year ice," Serreze said. "That's the stuff that tends to melt out in the summer because it's thin."

Seth Borenstein
Associated Press @ Discovery News
June 30, 2008
click for pic )

Climate Change Causing Significant Shift In Composition Of Coastal Fish Communities
A detailed analysis of data from nearly 50 years of weekly fish-trawl surveys in Narragansett Bay and adjacent Rhode Island Sound has revealed a long-term shift in species composition, which scientists attribute primarily to the effects of global warming.

Science Daily
June 30, 2008


***

And finally, ART+CLIMATE CHANGE.

* Cape Farewell, a site dedicated to cultural responses to climate change, particularly in the form of art.

* Will Climate Change Be Good For Canada? A visual essay.
schmevil: (zatana)
I just finished reading Alison Bechdel's Fun Home for the first time. It's such a great book, and I don't yet have enough distance from it to talk about it, but god. That last page kills me.

***

We Go In Search of A Lost Dream, by Fiona Rae. Click to see a larger version. No seriously, click, because it is stunning. You can find more of her work here, and a video on her process here.



From a project called Dispatchwork, by Jan Vormann. Vormann replaces brickwork with his own Lego Bricks. You can find more of his work here.



***

I Have Loved Hours At Sea, by Sara Teasdale

I have loved hours at sea, gray cities,
The fragile secret of a flower,
Music, the making of a poem
That gave me heaven for an hour;

First stars above a snowy hill,
Voices of people kindly and wise,
And the great look of love, long hidden,
Found at last in meeting eyes.

I have loved much and been loved deeply --
Oh when my spirit's fire burns low,
Leave me the darkness and the stillness,
I shall be tired and glad to go.
schmevil: (Default)
I decided to distract myself from my impending academic doom with some coolness. For the record - finished my Shakespeare paper, getting started on my Elizabethan/Jacobean paper (which is going to be on Women Beware Women), and am nowhere on my Virillio presentation. Onward!

Carl Warner



Yes, that's meat. Warner has an incredible series, available on his site, of food landscapes.

Chris Jordan



Jordan does large scale photography. Handguns "depicts 29,569 handguns, equal to the number of gun-related deaths in the US in 2004."

July 2012

S M T W T F S
1234567
891011121314
1516171819 2021
22232425262728
293031    

Most Popular Tags

Syndicate

RSS Atom

Expand Cut Tags

No cut tags