schmevil: (gwen and mj dance)
Maureen Johnson writes about marketing yourself as a writer vs. making friends and being:

I think the divide is pretty basic. I think there are people out there who see the internet as a way of employing the same old techniques of SHILL, SHILL, SHILL. A hundred years ago, they would have rolled up to you in a wagon, shouting about their tonic. Fifty years ago, they would have rolled their vacuum cleaners up to your door.

The other side, the side I am on, is the one that sees an organic internet full of people. Sure, when I have a book come out, I will often say, “Please, could you buy a copy? I need to buy food and post-it notes and hamsters.” But in reality, I wouldn’t suggest it if I didn’t think you would like it. I have a lot of fun writing my books, and hey, if you can buy one, great! I think it’s just as great if you take it out of the library. I write because I actually like doing it, and through some miracle of science, I get paid, so wayhay!

...

MY POINT IS . . . it’s early days yet on the internet, and lines are being drawn. We can, if we group together, fight off the weenuses and hosebags who want to turn the internet into a giant commercial. Hence, the manifesto. It goes something like this:

The internet is made of people. People matter. This includes you. Stop trying to sell everything about yourself to everyone. Don’t just hammer away and repeat and talk at people—talk TO people. It’s organic. Make stuff for the internet that matters to you, even if it seems stupid. Do it because it’s good and feels important. Put up more cat pictures. Make more songs. Show your doodles. Give things away and take things that are free. Look at what other people are doing, not to compete, imitate, or compare . . . but because you enjoy looking at the things other people make. Don’t shove yourself into that tiny, airless box called a brand—tiny, airless boxes are for trinkets and dead people.


I like the cut of her jib.
schmevil: (daily planet)
Facebook, MySpace Confront Privacy Loophole (Wall Street Journal)

Facebook, MySpace and several other social-networking sites have been sending data to advertising companies that could be used to find consumers' names and other personal details, despite promises they don't share such information without consent.

The practice, which most of the companies defended, sent user names or ID numbers tied to personal profiles being viewed when users clicked on ads. After questions were raised by The Wall Street Journal, Facebook and MySpace moved to make changes. By Thursday morning Facebook had rewritten some of the offending computer code.

Advertising companies were given information that could be used to look up individual profiles, which, depending on the site and the information a user has made public, include such things as a person's real name, age, hometown and occupation.

...

In addition to Facebook and MySpace, LiveJournal, Hi5, Xanga and Digg also sent advertising companies the user name or ID number of the page being visited. (MySpace is owned by News Corp., which also owns The Wall Street Journal.) Twitter also was found to pass Web addresses including user names of a profile being visited on Twitter.com.


Read More.
schmevil: (drugs)
Oh man, I have no idea why I'm so tired.

Today I will actually catch up on comments, oh yes. I've only got about 20 left and most of them are comments in serious discussions that are due replies. I don't like to reply while incredibly tired (as opposed to *so* tired, as I am now), because I end up spewing a metric tonne of bullcacky and silliness. So my non-work agenda for the day is: comments, SD/NSD mod business, and the much belated Die Hard post. After tonight's SPN episode, I might be able to break out of the amber that's encased the writing portion of my brain, and work on the fic backlog too. It'll be nice to be all caught up. [PS. Kiji, don't forget to send me that cuddle meme prompt!]

For those of you who are tired of all the srs bzns posts, I have to disappoint you further. I'm working on a post about abusive relationships and sexual coercion that is most definitely going to be a downer. More because there are some things I need to get out, than because I need my flist to read them. As with the bullying post, I've wanted to do it for a long time, starting, stopping and deleting over and over, but I think I'll actually have the fortitude to get through it this time.

What else is in the queue... more about Facebook. I know, I know, but I want to advance the argument that those who use FB as their primary point of internet contact, and only use it to interact with existing friends, are missing out on the best part of the internet - which is meeting and chatting with people from all over the world. You're shutting the door on a whole house full of possibilities. Dunno. Probably more on that.
schmevil: (daily planet)
The EFF has put together a timeline of FB's privacy policies:

Facebook Privacy Policy circa 2005:

No personal information that you submit to Thefacebook will be available to any user of the Web Site who does not belong to at least one of the groups specified by you in your privacy settings.

Facebook Privacy Policy circa 2006:

We understand you may not want everyone in the world to have the information you share on Facebook; that is why we give you control of your information. Our default privacy settings limit the information displayed in your profile to your school, your specified local area, and other reasonable community limitations that we tell you about.

Facebook Privacy Policy circa 2007:

Profile information you submit to Facebook will be available to users of Facebook who belong to at least one of the networks you allow to access the information through your privacy settings (e.g., school, geography, friends of friends). Your name, school name, and profile picture thumbnail will be available in search results across the Facebook network unless you alter your privacy settings.

Facebook Privacy Policy circa November 2009:

Facebook is designed to make it easy for you to share your information with anyone you want. You decide how much information you feel comfortable sharing on Facebook and you control how it is distributed through your privacy settings. You should review the default privacy settings and change them if necessary to reflect your preferences. You should also consider your settings whenever you share information. ...

Information set to "everyone" is publicly available information, may be accessed by everyone on the Internet (including people not logged into Facebook), is subject to indexing by third party search engines, may be associated with you outside of Facebook (such as when you visit other sites on the internet), and may be imported and exported by us and others without privacy limitations. The default privacy setting for certain types of information you post on Facebook is set to "everyone." You can review and change the default settings in your privacy settings.

Facebook Privacy Policy circa December 2009:

Certain categories of information such as your name, profile photo, list of friends and pages you are a fan of, gender, geographic region, and networks you belong to are considered publicly available to everyone, including Facebook-enhanced applications, and therefore do not have privacy settings. You can, however, limit the ability of others to find this information through search using your search privacy settings.

Current Facebook Privacy Policy, as of April 2010:

When you connect with an application or website it will have access to General Information about you. The term General Information includes your and your friends' names, profile pictures, gender, user IDs, connections, and any content shared using the Everyone privacy setting. ... The default privacy setting for certain types of information you post on Facebook is set to "everyone." ... Because it takes two to connect, your privacy settings only control who can see the connection on your profile page. If you are uncomfortable with the connection being publicly available, you should consider removing (or not making) the connection.


Read More.
schmevil: (jean)
Culled from [livejournal.com profile] badficwriter's post about how Scans Daily is changing, some of of my comments on the creators in [livejournal.com profile] scans_daily dilemma:

Regarding the creator/fan issue, the trouble is that in comics fandom, those spaces are already blurred. The comics industry and fandom is a drop in the proverbial bucket, compared to SW, ST or HP. It's a small world, and one in which there are fewer barriers to entering creatorhood. As hard as it is to break into comics professionally, it's a lot harder to become a movie director, or a billionaire novelist. We're in a fandom in which potentially, any of us could become creators, and in which creators are also operating as fans. Remember, we have a lot of members who produce their own webcomics, or are artists and writers working for small presses. Some of whom were using [livejournal.com profile] scans_daily to promote their work.

We're also looking at increasing numbers of creators wanting to get in on the action; to try to steer the conversation to their advantage, and use fora like ours, to promote themselves and their work. And although it might be more comfortable for us, we can't keep them out. We can't put up an anti-creator firewall. What we could do, is be as unwelcoming as possible to creators, but that amounts to a) begging for trolls; and b) excluding people like Gail Simone, Kurt Busiek, and Warren Ellis, who've figured out how to navigate the uncertain waters of creator/fan interaction on the internet. So the dilemma becomes do we exclude all creators, or find a way to potentially let all creators in? A community can't cherry pick its membership and still be open and welcoming - I think that would change the SD culture far more than moving away from creator-evisceration (live on channel 5!).

I don't think we have to kiss ass to be welcoming to creators. I don't think we should kiss ass. If I wanted to spend my fannish time fawning over say, Gail Simone, I would be on a Gail fansite, singing her praises. I also don't think that we're being ruled by the will of corporations. What we're being ruled by, is common sense. If we can't keep the creators out (and do we want to, completely?) then we have to live with them. We fans make up the majority of SD's population, and as such, we have more power to shape how creator/fan interactions will play out here. Yes, creators bring with them their creatorly power (a certain amount of authority to speak about their work, and the comics industry as a whole), but they are stepping into our space. We have a certain amount of ability to make those interactions work for us, and likewise, we have to bear a some responsibility for when they go pear shaped. Barring outright ignorance or trolling on the part of creators, which hey, in no way is on us. Or creator and corporate attempts to shut down our discussion, which again, is not on us, but instead reflects on their fear of fan power (fan space) chipping away at theirs.

And look, many of our conversations here will continue to be uninteresting to a lot of creators. Being less overtly hostile to creators doesn't mean they'll suddenly descend on us, in a flurry of self-promotion. Dealing with fans, even ones as mild as us *cough* are a challenge for quite a lot of creators. The fact is that some will never be interested in deepening their relationship with us - I hardly think we have to worry about Frank Miller showing up and complaining about his work not getting enough love.

Our particular fannish expression exists in a legal gray area (and it's a very dark shade of gray). We've seen our community shut down, and some of our members threatened. Right now, not just the rules, but also the community norms are in flux. None of us know what this community will look like in six months. I for one vote AWESOME, but, yeah. That's up to you guys too. :)

It's my opinion that we can being critical without being vitriolic. We can hate, with the power of a thousands suns even, without shaming ourselves with nastiness and outright abusiveness. And ultimately, I don't think that creator-bashing is an essential part of our culture. (Maybe comics culture as a whole, but...)
schmevil: (daily planet)
Scans Daily Gets Crossed Out, And The Content War Continues

Whatever else you may think of SD, Gail is right in pointing out that it was a major comics community not beholden to the industry, as the major sites like Newsarama, CBR, etc. are. Just like the typical corporate media relies on business and government for “access” and exclusives, comics media relies on the goodwill of Marvel and DC to ensure it gets front-row seats at all the cons, exclusive previews, etc. That naturally leads to generally favorable (or at least not negative) treatment of the content itself. Places like SD, which did not rely on Joe Quesada’s or Dan Didio’s largesse, were free to call bullshit on bullshit, and give people who love comics but hate the industry as it stands a chance to vent in a friendly space. We need more places like that, not less.

Now, as far as the issue of infringing on copyright goes, this is another example of the vagueness and broadness of law colliding with entrenched business interests who are paranoid about their futures. What constitutes “fair use” when it comes to scanning comic pages, for instance? Is one panel okay? One page? Five pages? Where is the line drawn, or scanned in this case? Who decides when it’s okay to use something like SD to promote work and get people interested in buying a comic, and when it’s flagrant copyright infringement?


Marvel Shuts Down LJ Users

At this point anyone with an internet connection can in fact download the majority of new comics coming out on Wednesdays if not all of them. This has in fact been going on for a few years but people still do go to shops every week (or however you get your comics) and plunk down money for their favorite books, merch and what-have-you . Why do they do this if you can get them for free? People like paying for their books and supporting the medium they love, it’s that simple. People understand that if they don’t buy their favorite book with their favorite artists, writers, and characters they might not be on the shelf next month (though sometimes low book sales on fan faves can still lead to cancellation, no matter how much fans try to help promote their books). True, some do in fact download comics and do not in fact pay for them (and then go on the internet to complain about said downloaded comic), but I honestly can’t think of any way to stop them as do the companies producing the books (though Marvel may in fact be working on something legally actionable considering their Digital Comics). With that, nothing has been done by any companies (that I’m aware of) to stem the tide of new books available on torrent sites across the internet.
schmevil: (personality dead)
So I've been mostly offline since Thursday evening. I'm working tonight, so I may or may not have time to slog through the backlog of comments. I did catch the latest wrinkle in the Scans Daily suspension. It appears that LiveJournal, either on a complainer's behalf, or their own, is targeting comics fans who've posted scans of Marvel comics with their eljay account. So far they've only been contact with requests to take down the offending material, but it's been requested that they don't share the requests. Something sounds off about that, to me at least. For now though, practical matters:

For those of you who haven't already taken steps to protect yourself, now is the time to backup and lock down your stuff. Content that violates the lj terms of service is not safe.

Unfortunately I have to run, and can't give you an exhaustive links list, but here's a FAQ on how to backup your journal, and another for MAC users.
schmevil: (modly mouse)
First off, it's been wonderful to see you all come together. You guys did a great job of linking up my info post. Keep linking. There are already enough rumors, we don't want to encourage their spread. The other reason I want you guys to keep linking, is that I want to give as much of the membership as possible, a chance to connect with each other. We've all made friends at the comm, but not all of us had the forethought to exchange contact info.

Thanks to all of the membership, for being awesome. Special thanks to everyone who took positive steps towards maintaining our community.

[livejournal.com profile] refraction has offered lots of helpful advice on how to approach the Abuse Team.

[livejournal.com profile] raattgift has commented with clarifications on US intellectual property law.

[livejournal.com profile] pandanoai created a backup of the comm, early in February, and [livejournal.com profile] acroamatica has it mirrored here.

[livejournal.com profile] yatsuha made a syndicated feed for our Insane Journal backup, so we can watch it on LJ.

We've also received comments of support from Gail Simone and Warren Ellis. It means a lot, thank you both. ETA: and now Kurt Busiek as well!

Going Forward

Scans Daily at Insane Journal is picking up. The mod team will be updating the comm momentarily with the rules rewrite were working on before all this happened. Don't worry guys, nothing scary. *g* Unfortunately, IJ has a 1000 member limit on its comms, so this likely won't be our permanent home, but please do join and keep the spirit of SD alive. [livejournal.com profile] noscans_daily is up and running. We hope it will be everything [livejournal.com profile] scans_daily was, albeit without the scans. We'll try to have all the bugs worked out of both comms as soon as possible. Please bear with us in the meantime.

I haven't yet had a chance to go through all the comments on the info post, so if you have an urgent question that hasn't been answered, you can message me, [livejournal.com profile] rabican, or [livejournal.com profile] stubbleupdate. A lot of people, (really, a lot of people), have been asking if there's anything they can do to help. I've thought about it, and there are a couple of things.

1) Information. If you're an expert on intellectual property and copyright, share some of that knowledge. If you've been TOSed for copyright violations, share that experience with us.

2) Post. Seriously guys, post. At Scans Daily 2.0 and [livejournal.com profile] noscans_daily. Because we are not beaten.

3) Make love fanworks, not war. One of things we were working on, before the blowout, was sprucing up the comm. There's no reason we can't go forward with that. We are need of a profile banner and a new layout. Think about it - a contest will be announced shortly. If you like your graphics 100x100, shareable icons are welcome too. In fact, gankable commemorative icons for us all to share? Pure win.

4) Make love (to Scans Daily), not war. It's been great to hear your stories. How you discovered [livejournal.com profile] scans_daily, and what it meant to you. Keep writing them.




Again, thanks, all of you. We'll keep you guys updated as to what we're working on.
schmevil: (Default)
For all members of [livejournal.com profile] scans_daily: the community has been suspended for posting copyrighted material without the permission of copyright holders, which is against LiveJournal's ToS. Before you ask:

1) At this time we don't know who made the complaint. But guys, we don't want this to turn into a witch hunt.

2) No, we don't have backups, but we're looking into recovering our entries. ETA: [livejournal.com profile] pandanoai made a backup early this month. You'll need this to view it. [livejournal.com profile] acroamatica has it mirrored here.

3) [livejournal.com profile] rabican set up a backup comm on insanejournal some time ago. If you're in dire need of scans, go here for now. ETA: A while ago, [livejournal.com profile] sir_razorback set up a message board for the comm here. [livejournal.com profile] comics_scans is another scan comm on eljay. Their rules and culture are a bit different from ours. If you join, be sure to read the userinfo before posting. [livejournal.com profile] stubbleupdate has set up [livejournal.com profile] noscans_daily. Please join, so we can keep our community together.

4) No, this will not be the end of us. Vive les scans!

5) ETA: Since people are asking about eljay's stance on fair use, from the TOS:

LiveJournal and its designates shall have the right, but not the obligation, to remove any content that violates the TOS or is otherwise objectionable, or that infringes or is alleged to infringe intellectual property rights. You agree that you must evaluate, and bear all risks associated with, the use of any content, including any reliance on the accuracy, completeness, or usefulness of such content. Furthermore, LiveJournal reserves the right to limit access to your journal, if found in violation of the TOS, including without limitation the Member Conduct described below, by removing the journal and related user information from the member directory, search engine, and all other methods used in conjunction with finding LiveJournal's users.

and

[members agree not to] Upload, post or otherwise transmit any Content that infringes any patent, trademark, trade secret, copyright, or other proprietary rights of any party



ETA: Guys, do me a favour and link to this post in your personal journals/blogs/whatever. I don't want people to get misinformation. I'm monitoring the comments and will be around to answer questions.

ETA: Update post here.



The mod team is looking at our options; check this space for updates.
schmevil: (ron)
Although I read (and sometimes write) slash, I've never really considered slash to be an important part of my fannish identity. I'm as likely to fall for a het ship, or femslash ship, as a slash ship, and it's even more likely for me to not ship much of anything at all. And although I have many friends in the slash community, I don't consider it to be my fannish home base.

So what makes a slasher? Are you a slasher? Why do you consider yourself to be (or not to be) a slasher?

[Poll #1347864]
schmevil: (jubilee)
Three posts in one day?! Yeah, I know.

I belong to the school of thought that considers online anonymity a precious, non-renewable resource that will very soon be gone forever. The anonymity that the internet currently affords plays a big part in the sheer fantastic dynamism of online culture. It's part of why we, as in fandom, are able to have nice things like fanfic, RPs, vids, banners, meta, stupid memes and all the rest.

Anonymity is one of the bedrocks of internet culture, and it pains me to say that governments and corporations all over the world are making steady inroads on one of the precious few spaces we, as in the people, have left to speak and think and act freely. The end of anonymity will be justified as part of a larger effort to 'clean up' the Wild West of the internet, thus making it 'family friendly.' It will be justified as necessary for national security, in an age of increasing dependence on networked defense technology. It will be justified as necessary for the smooth function of international commerce.

Increasingly, we are seeing a convergence of governmental and commercial interests, around reproducing real-world power structures online. The logic being that:

a) “Any market, virtual or real, requires societal infrastructure to function. It ‘…relies on a set of goods that it cannot itself provide: property rights, predictability, safety, nomenclature, and so on’."

b) "There cannot be two different sets of rules for the real and virtual worlds." *

What it's also about, though it's not usually framed this way, is reasserting social control - in essence, hegemonic culture maintenance. And because most users see the internet as an apolitical space (after all, what do You Porn and Amazon.com have to do with politics?) hegemonic ideology is reproduced online without question and notice. It's only normal and natural, right?

I firmly believe that every society needs a space for misfits, malcontents and jerks. We need to be able to misbehave, to test the limits of social control, to toy with the possibility of bad behaviour, for the sake of bad behaviour. We need the freedom to be morons, like we need air. It would be nice, if we all backed away from the edge of online idiocy, but none of us can say that we've managed to, without exception, play nice with others. It would be nice, but that's not humanity.

I also firmly believe that the existence of assholes on the internet, does not suggest a need to regulate their asshole behaviour out of existence. I can sit in my corner and disapprove to my heart's content, I can flame them right back, but what I will never do is suggest that anonymity is itself a problem. I will never try to manage or moderate their behaviour, outside of the online spaces which I, or others claim as our own. Read more... )

***

I've been waiting for this! [livejournal.com profile] synecdochic has announced the creation of Dreamwidth Studios, a kind of alternative to eljay. Way back during Strikethrough, I said that we wouldn't see fandom as a whole leave eljay until something better came along. Is this, or OTW the something better?

Of the good:

We have a list of what we want to do that's enough to keep us busy for the next decade, but there are a few we think are important enough to put first. We're splitting the "friend" system into "reading people" and "trusting people to read me". We're integrating your OpenID identities and RSS feeds into your core account, to make it easy to manage your identity across the Internet. We're making it easy for you to use us to display all of your creative work. (We're fixing the memories system.)

We're updating the LJ code to run on modern versions of Apache, mod_perl, and MySQL, so you don't have to downgrade your system to install our version. We're working to document the process, so you don't have to be a technical genius to install and maintain the code. We're working to make it easy for you to install as much or as little of the code as you need, so you can run a version for just you, for you and your friends, or for thousands of people.

I'm excited to see how these projects turn out.
schmevil: (joker (happy face))
Holy shit! Lawrence Lessig is a member of the eljay advisory board? I love his work. *fangirls* OMG. Here he is on Democracy Now, talking about net neutrality.

***

I'm working on my giant summer project of much doom, skimming through various thinkers for usable quotes, and I've been reminded of my idea of a comic strip about Zarathusta Superhero. His superpowers would include enhanced senses and communication with animals and dead people, but his real power would be Philosophy! (just as Science! is Reed Richards' real power). His sidekick would be a trusty philosorapter named Wise Man. They'd have travel the country side, preaching Enlightenment, dancing, reciting poetry, and kicking ass.

y/y?
schmevil: (daily planet)
Aboriginal leaders look to future after historic apology
"Our peoples, our history and our present being are the essence of Canada," Assembly of First Nations National Chief Phil Fontaine told members of Parliament and hundreds of observers seated in the gallery. "The attempts to erase our identities hurt us deeply. But it also hurt all Canadians and impoverished the character of this nation. We must not falter in our duty now. Emboldened by this spectacle of history, it is possible to end our racial nightmare together."
CBC News

Next step? Making concrete plans to counter the underdevelopment of First Nations, Metis and Inuit communities, and signing the Declaration of the Rights of Indigenous Peoples.

When Max Met Julie
MONTREAL–The restaurant where then-industry minister Maxime Bernier first met an enchanting brunette named Julie Couillard is a chic Italian eatery and bar frequented by movie stars, beautiful people and, on occasion, gangsters. Couillard was brought to a dinner gathering, held in Bernier's honour in April of last year, by a colleague from a property development firm with which she had recently become affiliated, sources say.

A La Presse investigation has revealed the man who accompanied Couillard to Ristorante Cavalli on the evening of April 26, 2007, was Philippe Morin, one of two owners of Groupe Kevlar, a large Montreal property developer. The investigation has confirmed Morin brought Couillard along to a weekly dinner held by a handful of young Montreal businesspeople, and that Bernier's acquaintances among the group intended to introduce the minister, a bachelor, to the one-time actress and model.

...

"There is the possibility that organized crime is trying to infiltrate the government," Liberal Leader Stéphane Dion told reporters. "I'm not saying it's what happened. But certainly all the experts of security who have spoken (say) ... this is the pattern that you need to check."
Sean Gordon
Toronto Star


The Hells Angels are trying to infiltrate the minority Conservative government through the Industry Minster? Okay! I'm not discounting the possibility but it does sound a little strange. There are easier ways to gain influence over members of Parliament.

I'm also starting to really get annoyed by the Sex! Scandal! aspect of the coverage. On a fundamental level, I don't care how awesome Julie Couillard's breasts are. Instead, let's get back to talking about those pesky potential threats to our national security. (Not that 'national security' is the way I'd choose to frame this issue - way to hit the panic button, guys!)

The Rise of the Low Cost Laptop
But in one respect the XO Laptop has undoubtedly made an impact: by helping to spawn a new market for low-cost laptops. Hardly any models costing $500 or less were available when the XO burst onto the scene, but now there is a wide selection of such machines, from familiar makers such as HP and Intel, and from relative newcomers such as Asus and Pioneer Computers. By raising the very possibility of a $100 laptop, the XO presented the industry with a challenge. Wayan Vota, founder of OLPCNews.com, an independent website that follows the project, calls the XO a “harbinger of an entirely new class of computers”.
The Economist

The piece points to how the One Laptop Per Child program has done more to revolutionize computing in developed countries, than developing. Many of the new cheap laptops are marketed to first world consumers, and aren't exactly intended to address the access gap. Still, cheap laptops may follow the same pattern as cheap cellphones, and we'll have a wired world before we know it.
schmevil: (daily planet)
Have you voted? Polls close Thursday, May 29, 9PM PDT. If you haven't been following the dramarama, [livejournal.com profile] icarusancalion has a collection of election links here, with a focus on fandom.

The current first preference frontrunner, with 28.1% of vote, is [livejournal.com profile] legomymalfoy, a longtime member of fandom and the lj Abuse Team. [livejournal.com profile] jameth, with 17.9% is next. I'm sorry to report that I am in fact pathetic enough to have read through all of the comment threads of the vote post, and a ridiculous number of related threads at various candidates' and voting bloc's journals.

I'm am not impressed with [livejournal.com profile] jameth. Why?

1. He's done nothing to reign in, or even distance himself from his supporters' bullying and outright trolling, of anti-Jameth posters.
2. His supporters employ icons which can trigger seizures in epileptics. He finds this funny.
3. He has accused [livejournal.com profile] legomymalfoy and [livejournal.com profile] rm of ballot stuffing.
4. He has thrown a bushel of strawmen at [livejournal.com profile] rm, in order to paint her as a despotic, censor-happy evil thing that does no good.
5. He considers fans to be inherently dishonest and mentally imbalanced.

Also:

Livejournal users, Jameth needs your help to support the lulz!

Please login to LJ, go here, enter jameth in all three fields and submit your vote for LJ board!
.

Encyclopedia Dramatica endorses [livejournal.com profile] jameth. Nuff said.

ETA: Anti-Jameth Bingo Card. Fandom is running a smear campaign against [livejournal.com profile] jameth. O rly?!

Even knowing that the LJ Advisory Board will likely have an extremely limited capacity to affect LJ policy, I don't want to reward this utter jackass with a great item on his resume, emotional validation and a free trip to Istanbul.

Do you?

For the record, I voted for [livejournal.com profile] legomymalfoy, [livejournal.com profile] rm and [livejournal.com profile] vichan.
schmevil: (daily planet)
Fan fiction occupies a zone of taboo somewhere below cosplay and slightly above really aggressive S&M. In fact, I think the average lonely heart crafting Zelda in Ganon’s Clutches: Alone and Afraid closes his laptop a little faster than the guys leering at Tramps in Clamps upon parental incursion into A Room of One’s Pwn. It’s just hard to imagine a non-convention social setting where anyone would cop to Expanded Universe prolificacy. I don’t think the language necessary to frame the act of fan fic writing in terms that don’t sound crazy even exists. Maybe I just don’t know the right people, or words.
Joe Bernstein, in a review of Final Fantasy VII for PSP.

Just, wow. It's a total drive-by on some random fan-thing he hates - fic has absolutely nothing to do with the subject at hand.

Maybe I just don’t know the right people, or words.

Ding, ding, ding.
schmevil: (gwen and mj dance)
So how much are you willing to pay for Radiohead's new album?

The recap for those who've been living under a rock:

Radiohead is releasing their new album IN RAINBOWS exclusively through their website, having elected not to sign with a label. You can order what they're calling a discbox for 40 pounds, to be shipped by Dec 3, or you can download a copy, which will have none of the nifty extras that the discbox will.

The catch?

You pay what you want.

You can choose to pay 80 bucks or nothing at all.

Radiohead's fanbase is a loyal and freaky one, so I have no doubt they'll not only recoup recording costs on this album, but make a pretty penny. From what I've seen, people are paying anywhere from $30 to, of course, nothing, but I think that most people WILL pay (though not much). In fact, I think the numbers will go down something like those of museums or performances where donations are requested, but no fee posted. I think that most people actually want to a) do the 'right thing'; and b) show their tremendous appreciation for the work artists share with us. No, really.

But let's look at those other fuckers.

Revisiting the (il)logic of illegal downloads circa Napster, many people argued that the record industry was so bloated and corrupt that they didn't deserve 'our' money. That if artists and the industry were more honest with us about costs, and charged a fair price that we'd be happy to pay. (This was an awesome way to justify theft that I used myself on occasion, but an incredibly ridiculous argument when put into real world terms. i.e. It's totally cool to walk out of Coach with an armful of bags because THE MAN is overcharging for them newayz).

So here's a group of artists who are being upfront with you, saying hey, we know CDs are overpriced and we don't want to take advantage of you. We want to give you this amazing gift and in return, we're asking for donations to the cause.

If ANY ONE of those Napster-justifying digital thieves decides not to pay for this album, they're guilty of incredibly base hypocrisy. Because dude, they're doing exactly what you asked for. Of course there's another argument used to justify illegal downloads that they can move on to, if the first one fails. (It's way more interesting than the first).

The other argument for illegal downloads is that 'information' should be free, and digitized media is just information. Most of the really good articles on this subject are academic. One of my favourites is "How the Internet's Spirit of Sharing Must Be Broken". If you read past the jargon and academic cool, it's this awesome pro-Capitalist, pro-intellectual property rights, wacky rant, about how digital downloads will bring about Ragnarok. Which, hey, in some ways illegal downloading does have the potential to change society as we know it (dun dun dun) - ask any IP/copyright/trademark lawyer how important it all is to the functioning of the world economy. It also uses a lot of really scary Foucoult-derived language and concepts about the importance of 'breaking' and 'disciplining' online criminals.

In any case, it does something that I think is really important. It looks the phrase, "information wants to be free," in the eye and spits on it. Why?

1. Information doesn't want anything. It's a concept and concepts don't have needs and desires. People, however do. (Some) people want information to be free. And they want it not just because they're cheap, but because they've embraced an ideology of free and total access to information. Saying "information wants to be free" is way to hide all of this behind a 'law' of 'information.'

2. Information as a category is so broad that it's kind of a useless. Seriously, what the fuck are we talking about? No seriously -- the argument is that we need to remove 'information' from economic and power relations. So there's no longer an information economy, no longer a system of patents, no longer the possibility of being paid for your intellectual labours. But let's take this further -- no state secrets, no differentiation between public and private spheres, no privacy full stop. And it goes further still (but I don't have time for that because I'm running out the door in five).

3. Including music in the category of information and arguing that it therefore also wants to be/should be free is really a sneaky way of saying that art should not be tied to commercial projects. The implication is that free art is BETTER. That art is corrupted from its true purpose when it is done for pay, and that TRUE artists would continue to produce art, regardless of the paycheque. Which is true in a sense - art will find a way (hello fandom), but ignores the very basic fact that paying artists is how we ensure they are capable of continuing their practice, in the manner that we and they have become accustomed to. Artists need to eat, and in our capitalist-democratic society, government funding is hard to come by, patrons even harder. Demanding that music be free makes it that much harder for economically disadvantaged musicians to share their work with you. Where would hip-hop be without the money that Big Music has invested in it? Certainly it would be a different genre, but would it be a genre you (everybody you) has heard of?

Information wants to be free is really a techno-libertarian call for massive societal change. Which is fine. *g* But it's been adopted by people who, I think, are less libertarian than they are criminal.

So how much are you willing to pay for Radiohead's new album? If the answer is nothing (and you're actually going to listen to it *g*), I want you to really think about why that's your answer. Total overthrow of the capitalist economy, or simple greed? Yes, those are the only two options. ;-)

Aaaand I need to run. Thus concludes a poorly thought out rant.

***

Just a sidenote: Radiohead is of course not the first act to go this route, but they're the biggest and the one that's going to have the most impact within the industry. This post talks about their motivations:

"We were having endless debates, spending entire afternoons talking about, 'Well, if we do something, how do we put it out?' ... It just became this endless and pointless discussion. Because in our dreams, it would be really nice to just let off this enormous stink bomb in the industry."

...

How smelly of a stink bomb is Radiohead's move, record industry-wise? The band is a powerhouse; though they're the most adventurous rock group working today, Radiohead manages to keep a supremely loyal fanbase, and their albums consistently sell well. Any label would have swooned for it -- though, as ever, only on terms unfair to the artists.



Come on everybody, let's all dig into our wallets and be fair to artists by throwing wads of cash at them!

*ramble*

Aug. 24th, 2007 10:49 pm
schmevil: (zatana)
When I got my iMac yesterday, I thought I had a usb cable handy but it appears I do not. This is tragic because I wanted to scan my Marvel Adventures: Iron Man issues. I'm consoling myself with this preview of MA: Avengers #15 (scroll down). God, this whole line of books is just ridiculously cute. It's so cute that its cuteness threatens to overwhelm the stability of the cutetime continuum and cause universal (though cute) destruction.

I also desperately want to scan my favourite sequence from Brian K. Vaughn's Pride of Baghdad. Wicked great book. I found some scenes too emotionally simplistic, and at times the story was perhaps too caught up in being an anti-Lion King, but it's such a sad, beautiful narrative, and Niko Henreichon's pencils are simply lovely. La la la love.

BTW, [livejournal.com profile] cedarlibrarian are you aware that BKV is set to write a Faith story in Buffy Season 8? I haven't been reading the comics (I'm waiting for the inevitable trades) so this totally passed me by. I've never been much of a Faith fan but still, this is good news - BKV will be writing Buffy, and his Faith is guaranteed, by dint of his fabulosity, to annoy me much less than did Noxon!Faith. And his ideas about the series as expressed in this article are certainly promising.

***

YouTube instantly trumped sites like Vimeo, Veoh, and Grouper by converting all uploaded videos into Flash videos that almost anyone could view.* The site's second genius ploy was its permissiveness. While the staff quickly removed pornographic uploads, YouTube wasn't as hasty to take down copyrighted content: music videos, clips from TV shows, and sports highlights. YouTube's first big moment came when someone uploaded the Saturday Night Live sketch "Lazy Sunday" in December 2005. Since NBC hadn't posted a copy itself, everyone went to YouTube. By the time the TV networks and music studios figured out that a third-party site was siphoning away their traffic, Web surfers already thought of YouTube as the one and only online video clearinghouse.

Slate
Nick Douglas
July 18 2007

Sound familiar ljers? Permissiveness + user-friendly interface seems to be a prime indicator of internet success. And that permissiveness doesn't tend to last once commercial success sets in. Douglas also has some interesting things to say about how centralization limits creativity and stiffles vision, which are interesting in the context of the current lj climate.

I was chatting with [livejournal.com profile] metaphoracle the other night about the so-called migration of fans, from lj to other journaling services. From what I've seen, the numbers just don't support there being a mass migration, and I don't think one is likely until the Next Big Thing in social networking has become obvious. Until it's caught on with more than the early adopters. The lj fandom is so used to social networking that, in my opinion, the NBT for this segment of fandom will have to incorporate some of the better features of things like lj, myspace or facebook. It will also have to be bigger than fandom. As much as I'm interested in [livejournal.com profile] fanarchive I don't think anything that comes out of this project will be the next lj.

The advantage of an open, general spaces like lj is that they bring in far more fresh blood than would exclusively fan-run sites, for the simple reason that very casually fannish people are more likely to interact with devoted fen, and perhaps discover a deeper interest in fandom.

So my half-assed prediction is this: that from the recent lj goofiness, we will see develop a social hub and a creative hub, hosted separately, each embodying some cool new development. Projects like Fanarchive have a lot of potential in terms of becoming creative hubs but I doubt the ability of Insane Journal or Journal Fen to foster the same kind of social ecology that lj does - they don't have the numbers or the diversity. (They also don't have the pretty, which is increasingly important online).

[Keeping in mind, of course, that however far news of lj's deletions and guerrilla TOS changes has spread, it hasn't spread through all of lj fandom, or fandom beyond lj, and that many people remain unaffected practically and emotionally.]

My own fannish activities are not limited to lj, though I know many, many people who can't see past the goat. I'm a big fan of message boards and archives. Used to like lists, though now, I can't be bothered with keeping my filters up to date. I like the opportunities for different kinds of social interaction that different internet media allow. I also like seeing how those media affect the creative outupt of fans. I do think that lj and lj culture together produce different kinds of creative expression, distinct from lists and list culture. And I'm honestly excited to see what's next.

***

Ha! I mistakenly labelled one of my icons Strom.
schmevil: (Default)
I've recently become addicted to reading [livejournal.com profile] scans_daily and while posting a comment, noticed that, amazingly, some people still have this journal friended. Hi people! My last public post was on 09 May 2005, on the so-very-essential subject of 28 Days Later fic. It's amazing how much has changed in my life, in yours and in fandom since I was a regular lj user. The geography, technology, language and culture have changed (because the internet evolves at such a fast pace) and yet many of these changes have occurred in utterly predictable ways.

There's a reply to that post from a deleted account. Just seeing her name recalled to me conversations that as of a moment ago, were gone from my conscious memory. Several other journals I followed have been deleted, or fallen into inactivity, but amazingly, the vast majority of journals I friended are still being updated regularly. Too, most of the writers, vidders, icon makers and meta writers are around, albeit, many of them in vastly different fandoms (or parts of fandom).

I came back to online fandom sometime this year, drawn by the same thing that got me interested in the first place - the search for fic. I've taken years-long breaks before but this one was a little different in that while I wasn't reading fic, or meta, or watching vids, I was still connected to my online identity through the livejournal comments I continued to receive. In some ways, it was like receiving letters that were lost in the mail for a decade or two, reminding me of flamewars I'd fought, fics I'd written, people I loved, a person that I'd been.

The other day I got feedback for a fic I took down four years ago. A story I'd long since given up on. A story I only vaguely remembered myself (a few of the good parts and all of the really bad ones). I went to some trouble removing that fic from the google-able internet and yet it's still out there, being circulated.

It's incredible how, when you go online (and this is especially true of a community like fandom, and fandom on lj, I think), you so quickly create a space and identity that are your own, but are also part of a larger community that continues without you, still engaged with you, while you yourself are not participating. People continued to read and engage with my fic, meta and comments despite my absence. They wrote back. They wrote to each other about my fannish output. They kept me alive and present when I actually, physically was not present. Mostly these were people I didn't know well, or at all, and for whom, it's entirely possible, I didn't exist beyond that output. But they owned me, just as you own me, (well at least, those of you who actually remember who I am). Own whatever part of me that you engaged with. Even if I spent the next two years deleting every comment I made since I first went online, I would still exist online. Somewhere. And so would you.

The internet is forever. ;-)

***

And going back to the subject of scans, if anyone is interested in old school X-Men, I've posted scans of Uncanny X-Men #1 and Giant Size X-Men Annual #1 at [livejournal.com profile] fullscans_daily. Particularly amusing in UX#1 is Professor Xavier's telepathically controlled jet plane.
schmevil: (Death to memes)
[livejournal.com profile] saeva pointed me to a meme over at [livejournal.com profile] fernwithy's journal. It's called the Where I Stand meme and focuses on what are commonly positioned as the Big Questions in current social and political debate (really American electoral issues) - pay attention to what questions aren't asked; meme-maker your bias is showing! It's presence in fandom is particularly interesting, considering the lengths most fen go to, to appear to be apolitical.

One of things I dislike about memes is the way it encourages one to read random quiz answers, which would likely vary, depending on the day the meme is filled out, as intimate knowledge. It reduces lj communication to a series of interactive first dates, one inane paragraph of uncontextualized miscellany after another, and trivializes the experience of the journalist and the reader. It's like gumball machine journaling.

This meme in particular seems like an easy out. So you feel uncomfortable writing about political issues. No prob. This meme lets you speak out on a number of issues, all in one post! One stop shopping.

There's also safety in memes. On the whole, memes seem far less likely to cause flamewars because their very randomness makes it difficult to actually take them seriously, and in a sense, it's acceptable to be opinionated when asked, and the circulation of a meme is like a question we're all being invited to answer.

That said, here are my answers to the Where I Stand meme:

Read more... )
schmevil: (carrion)
[livejournal.com profile] heathersy wants her flist to put their political ramblings behind a cut tag. Her reason? Fandom does not share a political hive mind, and calling the other party a bunch of evil, inbred yahoos does not endear you to your fellow fen who vote for them.

If I was American, I would vote Democrat. They're the closest it gets to my own political goals without going with a fringe-party. The Green Party is not only still very, very fringe - talk to me when it's about policy - but they're also unrealistically unwilling to compromise. I'm not an ideologue and I have no interest in associating with ideologues. Ideologues are so busy shining with their passion for the Truth, that they're blinded to their own idiocy.

Supporting Bush is not an act of evil.

Supporting the war in Iraq is not an act of evil.

Supporting a ban on gay marriage is not an act of evil.

Supporting the Republican Party of the United States of America is not an act of evil, no matter what some lobbyists may tell you.

Generally speaking, evil takes far more concerted effort than any politician is capable of, being mostly concerned with getting re-elected, and making enough deals to get his or her pet bill on the books. Politics, is by necessity, a dirty game where you make a lot of compromises, especially when you're trying to do what you think is the right thing. It's a hell of lot easier to keep people happy by sitting on your ass and rewarding cushy contracts to supporters, than it is to take a stand. I have nothing but respect for the politicians who actually DO THEIR JOB, even if I don't agree with their goals.

Not considering the other guy's position isn't evil. It's dumb. Likewise, assuming that you have the Truth on your side.

I don't think we should be cutting political commentary. I do think that we, as a community, could stand to be a little less blissfully reactionary about American politics, and entertain the notion that someone just might not agree with us. We* spend enough time qualifying our arguments about canon in order to avoid starting flamewars (god forbid someone disagree with your masochist!Peter essay) that we should damn well know how to do the same for other kinds of posts. Just as masochist!Peter is open to interpretation, so are the evils of the Republican Party.

Dammit.



* Of course, by 'we' I mean those of us who don't spend most of their time trying to yank other people's chains. Heh.

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