schmevil: (she-hulk (objection))
Birds of Prey and She-Hulk have both been canceled. This is, to put it mildly, distressing. I tend to read a lot of minis and catch up on series in trades, but I do like to have a handful of books to follow monthly. I'm now down to only two books, Ms. Marvel and Wonder Woman. So, fellow comics fans on the flist! I need some recs for new books to replace the plethora of titles that have been canceled, or just completed their runs, in the past few months.

Comics genres I like: biographies/autobiographies, super-heroes, comedy, westerns, war stories, horror, science fiction, noir/crime fiction, slice of life, martial arts books, 'alt-comics', history and romance. Just about everything, really.

Things I look for: good female characters, interesting and eye-catching art, solid pacing, smart storytelling and good dialog. I like fun stories and not-so-fun stories, small stories and big stories. Just good comics. :)

Hook me up people! What awesome books are you following? (btw, I just ordered Janes In Love, Criminal: the Dead and Dying, French Milk and Buffy vol 3).

***

The most recent round of Marvel solicits contained both She-Hulk's last hurrah, and a new mini that I am so picking up because frankly, I've been wanting a story like this, and talking about my visceral need for a story like this, for roughly a year now.

SHE-HULK #38
Written by PETER DAVID
Penciled by STEVE SCOTT
Cover by DAVID WILLIAMS
SHE-HULK R.I.P.!
She's been savage. She's been sensational. She's been an avenger. She's been a lawyer. She's been a bounty-hunter. But there's one thing She-Hulk has always been, in all of her many series... cancelled. But it hasn't stopped her yet! In this oversized final issue, Peter David brings his run on the Jade Giantess to a close... but can Jen use her last remaining pages to save her friends from a truly mammoth threat? Catch her now, before someone turns her red!

cover )

At least Jen gets a classic Shulkie cover for her sendoff. I... don't have anything to say about the cancellation right now (other than WAH!), but I'll probably spam your flists with my whining later.

MODELS, INC. #1 (of 4)
Written by PAUL TOBIN
Pencils by VIÇENC VILLAGRASSA
Cover by SCOTT CLARK
Fashion Week is always a hectic time for models, and this year is no exception. Between escaped wolves, robbery attempts, and overly friendly police officers, Mary Jane Watson, Patsy Walker, Jill Jerold, Chili Storm and Millicent (Millie the Model) Collins are testing the limits of their endurance. But when a brilliant young set designer is found murdered with three bullet holes in his back, and Millie proves to be the prime suspect, the models are forced to play detective in order to save one of their own!

cover )

I hate the cover, but I am SO ON BOARD FOR THIS. The only thing that could make me love this more (other than a new cover artist), would be a cameo by Janet Van Dyne.
schmevil: (wonder woman (fire))


Week continues to suck. What to do? Wonder Woman picspam OMG!

Read more... )
schmevil: (wonder woman (flight))
I know it's only Tuesday, but seriously.

So to cheer myself up, here's some Wonder Woman picspam.

Read more... )
schmevil: (ms. marvel (smash))
So over on CBR, folks are talking about Carol's effectiveness, or lack thereof, as a leader. I said:

Carol is a good leader as written by Brian Reed, and most other writers. She's a bad leader as written by Bendis. His Carol is probably the most indecisive and mild she's ever been. Brian Reed, for all his other flaws, understands that Carol is supposed to be (as the slogan goes), the hard-hitting, high-flying Ms. Marvel and he's increasingly showing her to be the smart, aggressive, never-back-down kind of woman she's always been. He's also, very smartly, had her do a lot of introspection, examining her motives and methods.

I've talked before about Reed's issues on Ms. Marvel, but I strongly believe his treatment of the character is improving. In recent issues Carol has been less wracked by indecision and far more effective. She's starting to win a few, which is so important for this character. At the same time, he's not letting her get away with her more negative impulses - she's questioned her ethics and her tactics, and she's started to face the parts of herself she's ignored for a long time. Reed hasn't stopped throwing her curveballs, but she's getting better at hitting them.

I also said:

I'm starting to think that she needs to get away from Bendis to shine. Even more than she needs to get away from Tony. Under Bendis she's been marginalized as a leader, called a fat cow by Doctor Doom, and shown to be willing to abandon a group of her friends in the middle of a fire fight, in order to protect one friend. Of course, it's possible to put a positive spin on all of this, but I'm having trouble.

I really want Bendis to throw the character a bone during Secret Invasion. Not least because his record with the female characters he chooses to write about is looking pretty grim. Jessica Jones spent most of her time in NA supporting her husband and not doing much else. When she finally gets some agency, it's to take her baby away from Luke. Echo was a non-entity, until Bendis hooked her up with Clint - suddenly she's interesting? The Wasp is just sort of there and in a recent issue she even disappears completely, without explanation. Spider-Woman, well, you know.

Black Widow is the only female character in the Avengers books who gets to consistently be a superhero. I tend to think that's partly because she's a street-level character and a sexy superspy, two of Bendis' favourite types to work with.

When you look at it this way, Carol's ineffectiveness is hardly surprising.


And Carol is a largely ineffective leader in the Mighty Avengers. Her teammates make and execute their own plans, and command seems to rotate from issue to issue. Tony is constantly undermining her, and she hasn't confronted him about it after, what? Twelve issues? She seems baffled by battles as they're unfolding around her, and is constantly surprised. This is frankly bizarre, considering she's a former Air Force major, who operated both as a fighter pilot, and with special ops. She's also been director of security for NASA, headed the superhuman branch of Homeland Security, and currently runs an anti-terrorist strike team through SHIELD. Oh yeah, and in her brief civilian career, she ran a magazine.

This is not a character who should have trouble with command.

Granted, the Mighty Avengers is just stacked with strong personalities, but I don't recall a leader having this much trouble since Black Widow's tenure as chairman. And before that, Scarlet Witch. Hey wait a second, do you think that maybe there's a connection?! What's really vexing is that under Busiek and Johns, Carol ran missions as an Avengers field leader and not only was she good at it, no one questioned her abilities. There is a difference, obviously, between temporary and fulltime command, and yeah the transition can be difficult. I would feel a lot better about Bendis' portrayal of Carol, if he showed her struggling with and then working on her self-doubt, rather than constantly showing her as being inadequate, and knowing she's inadequate.

Please, Gods of Comcis, let Bendis have some awesome plan for Carol. Power of positive thinking, people. POSITIVE THINKING.

***

Yesterday I posted some pages from She-Hulk #29, in which we finally find out why Jen got disbarred. I'm mostly satisfied with the explanation, and interested in seeing where PAD takes it.

Proving once again that She-Hulk fans are the best fans (WHY AREN'T YOU READING THIS BOOK?!), posters took the opportunity to geek about: case law, language usage, puns relating to both birds and breasts, and ninja zombie nazi gorillas riding pirate dinosaurs with jetpacks and rocket boots. OMG.

I also posted some scans from Transhuman #2, and it continues to be very, very cool. Jonathan Hickman is telling the story of the development of the transhumanism industry. He frames it within a documentary film about the two companies that first had major breakthroughs. He follows them from initial research, to development, human trials and even their search for funding. It's a really smart book that interrogates the relationship between science and business, tackles all the big ethical questions without getting heavy-handed, and sends up genre conventions.

Remember the test monkeys? (WHY AREN'T YOU READING THIS BOOK?!)
schmevil: (she-hulk (wrecker))
Last post I complained about Dan Slott bringing his issues to his portrayal of Jen's sexuality, but otherwise, his run is pretty much awesome. For [livejournal.com profile] crimsonquills and [livejournal.com profile] tammylee: nine pages of She-Hulk hilarity.

And from the first issue of his run, one page for the Steve/Tony shippers.

Read more... )
schmevil: (ms. marvel (smash))
1. I updated my list of Essential Ms. Marvel with some new scan posts. Next I want to concentrate on tracking down articles and interviews. Does anyone have a functional link to the essay "The Rape of Ms. Marvel"? I've read it in the past but recently, it seems like every link is dead.

***

2. Continuing from last post on the Iron Man movie, here are the links to the next three interviews in the CBR series.

I Am (Friends With) Iron Man - with Terrence Howard
I Am (Directing) Iron Man - with Jon Favreau
I Am (Producing) Iron Man - with Kevin Feige

***



3. Tori Amos' Comic Book Tattoo
Through her many real and apocryphal connections to “The Sandman” -- Amos wrote the introduction to “Death: The High Cost of Living,” references author Neil Gaiman and the Dream King in her music, and is generally thought to be the inspiration for Delirium -- Amos is known to comics fans as one of us. She aims to prove it with the help of editor Rantz Hoseley and Image Comics, who will this summer release “Comic Book Tattoo,” a nearly 500-page deluxe-packaged anthology featuring some of comics’ brightest talents including David Mack, Mike Dringenberg, Jonathan Hickman, Carla Speed McNeil, Laurenn McCubbin, Kelly Sue DeConnick, Ivan Brandon, Callum Watt, Neil Kleid, Christopher Mitten, Elzabeth Genco, Chris Arrant, and Daniel Heard -- all of whom turn in new work inspired by the music of Tori Amos.

It's like fanfic

I'm really excited about this project. The preview art (there's more of it in the link) looks lovely, and I just like the idea of it. I'm not a Tori fanatic but I think that her music has the potential to inspire some really fascinating and beautiful stories - her lyrics sometimes don't make much sense, which I think is an advantage here. Instead of just illustrating stories, they'll be creating stories.

***

4. [livejournal.com profile] tammylee linked to an article about artists, and what it takes to succeed in the business. As a non-artist I'm always interested to learn more about what goes on behind the scenes, the creative process and the business of art. I was particularly interested to learn about the job (and importance of) the inker.
schmevil: (iron man (director of SHIELD))
It's become a truism that Civil War only makes sense if you see it as a really bad breakup between Captain America and Iron man. This Civil War: What If? shows us how it should have turned out.

visual evidence! )

I also 'made' some icons. I'm new to this icon thing, but if you actually want one? Take it, man. I'm still at the "LOOK AT ME CROP STUFF" stage, so alter them, add text - whatever.



24 Cap and Tony icons (though few are Steve/Tony) )
schmevil: (wonder woman (blind))
Props to:

[livejournal.com profile] batcookies for posting Tigra's history

[livejournal.com profile] bluefall for posting When Wondy Was Awesome

[livejournal.com profile] 5thbeatle and everyone else who posted during Mary-Jane Week and Black Cat Week

everyone who posted during Huntress Week, and there was a lot of you

and finally, everyone who's been part of the recent Oracle/Batgirl mania

It's been an amazing couple of months, where every time I checked [livejournal.com profile] scans_daily there would be at least one post of women in comics being unabashedly awesome. No Heroes for Hentai tentacle pron, thinly veiled misogyny, self-hate or nastiness. Just women (and men) celebrating female characters for their strength (both physical and moral) and humanity.

So, yay!
schmevil: (ms. marvel (rain))
Ms. Marvel's sales have dropped below the point where Marvel can justify painted covers. This is bad and good. Bad, because less people are reading it and if the numbers drop more, they may cancel the book. Good because the Greg Horn covers have been alternately repulsive and repulsively degrading, and often at odds with the content of the book.

covers 19-22 )

Anatomy issues aside, this is not how I want to imagine my heroes. The poses, the hair, the boob-socks, the faces - it all screams bad soft-core porn.

I don't have a problem with cheesecake per se. I really enjoy the way Frank Cho draws Carol, even with all the ass and tit shots, because she looks hard, strong and heroic. She doesn't look like she's trying to be sexy, or sexual while on the job. Cho's Carol fights evil in a bathing suit but doesn't seem to be seeking male sexual attention. Granted, she's receiving male sexual attention (from Cho, if no one else), but its implied presence in Cho's covers doesn't give me the same kind of icky feeling that I get from Horn's stuff. It doesn't seem as... posed specifically for titillation.

Cho's covers )

Though I have to just point out - in that first cover, Carol's breasts are all kinds of freaky. O.o

Greg Horn's Carol, on the other hand, has a perpetually dazed, come-hither look in her eyes, even when she's about to be mind-controlled, throttled by a cat-woman or possibly molested.

Maybe it's just me, but it almost looks like she's inviting violence.

For contrast, let's look at four covers from Carol's original series.

old school Carol )

Now granted, these are from the era where action-y covers, rather than pinups were popular, but just look at her face, her pose. This is a fighter, not a sex kitten. She's fighting evil in a bathing suit with a freaking cutout and she manages to look tougher than Horn's more covered up modern Carol.

In conclusion: see you in hell, Greg Horn.

***

In other news, I'm DONE HEGEL. Oh sweet victory.
schmevil: (black flash)
For posterity: Batman gets PWNED.

Oh Wally.
schmevil: (strom (flying))


WHAT THE FUCK is going on with Storm's hair? First it was Misty Knight's halfro, now Storm wears a clown wig? Holy shit Marvel, learn to draw hair.

I like the idea of the cover - Black Panther as a Black Panther - it's clever and the art is actually pretty good. But Storm is a) ridiculously off-model; b) totally not Storm. Storm =/= black panther.

P.S. And for god's sake Hudlin, your characters are African. Not African American. AFRICAN. I want to like your series and if you could only remember this one thing, I might be able to: AF.RI.CAN.
schmevil: (daily planet)
I'm seriously considering a layout incorporating this:



Oh the lolz. And speaking of lolz, have you ever actually read lj's 404 error messages? Refresh it a few times.

***

And now for an update on my favourite line of physics/computing research, quantum computing.

"For the first time the components that underlie quantum computing's great potential – qubits – have been linked on chips like those in conventional computers. Two US research teams used superconducting circuits to make two of the quantum components linked by a quantum information cable or bus.

The bits that work together on calculations in a normal computer can exist in two states – either 0 or 1. But qubits can inhabit both at once, allowing them to process many calculations simultaneously when they get together.

Qubits can be made in different ways, but so far most schemes don't lend themselves to mass manufacture. Putting them onto chips like those in conventional computers could unlock the economies of scale that have driven the rise of electronic computing."

Saswato Das
09/26/2007
The New Scientist

Quantum computing is of particular interest to the NSA because it's believed that it could revolutionize codebreaking. Commercially, I don't know - just ridiculously fast computers? Personally I'm in it for the Holy-Shit-Cool factor.

***

I'm so forwarding this to every one of my poor, bastard friends who are running Vista. Not because I want to see them cry, although that would be entertaining.

"The first indication that Microsoft should abandon Vista is its poor sales figures. According to a recent report titled "Windows Vista Still Underperforming in U.S. Retail" from NPD, Vista sales are significantly behind XP sales during its early days. Even worse for Redmond, some are reverting to XP, citing issues with compatibility and overall design. And if that wasn't enough, Macs continue to surge and with the impending release of Leopard, Microsoft may be in for a rough holiday season.

With each passing day, it's becoming blatantly clear that Microsoft released Vista too early and the company's continual mistakes and promises that can't be kept are further annoying the Windows faithful."

Don Reisinger
09/26/2007
The Digital Home
schmevil: (ms. marvel (and chewie))
And now for something completely different!

I'm experimenting with my new scanner and decided to try a hardcover for the very! first! time! The scans are a little fuzzy near the spine but came out nicely otherwise. Must look for tips on fixing the fuzz.

(This post also gives me an excuse to show off Ms. Marvel/Chewie icon I snagged from [livejournal.com profile] darthphere. Kitty love is the best love, people.)

Written by Brian K. Vaughan and drawn by Niko Henrichon, this book was put out in 2006 through Vertigo. Says the back cover blurb: "In the spring of 2003, a pride of lions escaped from the Baghdad Zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives." What that leaves out is the pretty.



Read more... )
schmevil: (iron man (smirk))
Oh Rescue Me.

"I got a girl. She's in a wheelchair, but she has the sweetest ass."

"How can you tell?"

"Sometimes I stand her up."

AND

*spritz*

"Hey!"

"¥ou had a little like, baby thing on you. *waves hand in front of nose* And anyway it's Curious, by Britney Spears."

"Yeah, well. Mystery's over. She's a whore."

A couple of episodes are available on Showcase's site. I don't exactly know how to write a plug for this show, because I think that by now most interested parties are already watching. And (though I understand it not!) some of those (weird) non-watchers must have been put off by the violence, nudity and course language. (Weirdos).

So - Dennis Leary, people. Dennis Leary as a post-9/11 traumatized, alcoholic firefighter. Everything about this show is quintessential Leary, from the blisteringly vicious humor to the constant, roiling emotional violence that underlies everything, and often literally, physically explodes onto the screen. The most recent episode tackled euthanasia, man-dating, gay marriage, father-daughter feuding and suicide. While the storylines can reach almost absurdist heights, the show retains a such a high degree of emotional realism that it continues to be bitingly relevant.

And just come the fuck on - people! Dennis Fucking Leary.

Love.

***

Speaking of love - is it wrong to want to marry a teaser trailer of a superhero movie? Because I more than kind of want to. I've been excited about the upcoming Iron Man movie since it's been announced but the state of comic book movies being what it is (oh Sam Raimi - why!?!), my excitement was tempered by uh, about a metric tonne of doubt.

Since seeing the footage from Comic Con (since removed from YouTube) and this new teaser, my cautiously optimistic excitement has morphed into holyshitIthinkIwetmyself-fangirl!excitement. Much to my embarrassment. But this movie is going to be FUN, which is more than can be said for Spiderman 3, Superman Returns, X3 or *choke* Ghost Rider. It's going to be fun because Jon Favreau and Robert Downey Jr understand the character and the story they're telling. Because they're interested in telling an emotionally and politically relevant story, one that appeals to kids (because there's freakin wicked flying robots and shit) and grownups (because there's freakin wicked flying robots and shit, amongst other things).

Watch the trailer - RDJ nails it. It's not a Tony Stark to end all Tony Starks but it's a damn good interpretation of my favourite alcoholic, womanizing, arms dealing genius, and one that has the potential to be very successful with audiences right now. It's funny, it's topical and it's damn pretty.

Marvel made the right choice, starting out with Iron Man as their first picture. The potential for big big office and serious reputation building in terms of production values and ability to attract talent is there, along with the obvious, and important franchise possibilities. Iron Man is nowhwere near as recognizable a character as Spiderman or the X-Men, but we're not talking Hell Boy. And the concept requires such a minimal suspension of disbelief that it's downright accessible. Engineering genius dude builds some awesome armor and eventually, after some soul searching, uses it to fight evil. Done. The science fiction elements also make it an easy sell, and the fact that it's basically a story about a guy and the best (flying) car (with energy weapons) ever, makes it less embarrassing for non-fen to appreciate.

And importantly, Tony Stark is such a complete guy's guy. He's the kind of guy that other guys have man-crushes on, and also the kind of guy they desperately hope will never, ever meet their girlfriends. He's the kind of guy that sells tickets.

***

So I finally picked up Iron Man #21. I was spoiled for it, because spoilers are so utterly ubiquitous these days, but it was still a solid read. I particularly liked this image:



This is a ghostly Captain American that visits Tony in a dream. He has an almost circuit-like webbing of veins across his face and his neck is marred by a never-healed wound. The right side of his face is in shadow and the left is a muddy grey. One shining, glassy blue eye stares at Tony.

Context: Tony's working on deciphering some script, trying to figure out it's significance. Cap shows up in his dream, they fight. Cap subdues Tony, then pushes back his mask and asks him to listen. He gives Tony the answer.

I like that dream Cap seems to represent all of Tony's conflicted feelings toward Cap - hostility, anger, guilt, respect, regret, admiration and love. I like that we get a sense of how important he continues to be to Tony, and how Tony continues to rely on the idea of him. I also like that De Le Torre and the Knaufs are unafraid of the potential for a homoerotic reading of that sequence. ;-)

The rest of the book continues to explore the question of "Who's behind the machine?" as one character puts it. Who's behind the terrorist organization? Who's behind the political machine that put Tony into SHIELD and the SHRA into action? Who's behind the armor? There's a nice Ghost in the Shell quality to this very thoughtful issue.

Anyway, this wants to turn into a post about identity and technology, but I want to go to bed, so I'm calling this post.

Expired. Natural causes. 2:19 AM. God rest ye.

July 2012

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